*LOVE'S SWEET MELODY is part of the Decades: A Journey of African American Romance series. Each book explores a decade between the 1900s and the 2010s. This book covers the 1940s.*Autumn, 1946Warner Hughes returns home from war with the lingering effects of battle. Abandoned by his sweetheart and ostracized by his community, he feels he has no real home.Elizabeth "Betty" Daniels has one love: music. Betty's family wants to see her married, busy with affairs of the home, leaving no time to pursue her art. Warner's only solace is in the sweet melody of Betty's music. To Betty's mind, marriage means giving up the freedom to pursue her art. Can Warner let love in, and can Betty make room for lov

No. It's a word that could have kept my life on an easy path. Now I'm torn between two men. One is tender, sweet, and dependable. The other is rough, dirty, and unreliable. One man will lead me to the life I've always planned. The other man will lead me to a life with wild new experiences. I should have said no. *Recommended for 18+ due to subject matter and sexual content.

Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All while the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

Brimming with swords, sorcery, and wit, Orconomics: A Satire introduces Arth, a world much like our own but with more magic and fewer vowels. For the licensed wizards and warriors of Arth, slaying and looting the forces of evil is just a job. The Heroes' Guild has turned adventuring into a career, selling the rights to monsters’ hoards of treasure as investment opportunities. Corporations spend immense sums sponsoring heroes to undertake quests, betting they’ll reap the profits in plunder funds when the loot is divvied up. Questing was all business for Gorm Ingerson, the most famous Dwarven Berserker in the history of the guild, until a botched expedition wiped out his party, disgraced his name, and reduced him to a thieving vagabond. Twenty years later, a chance encounter sees Gorm forcibly recruited by a priest of the mad goddess Al’Matra to undertake a quest that has a reputation for getting heroes killed. Worse still, he’ll be undertaking the mission alongside a washed-up elf, a brooding weaponsmaster, bickering mages, a lecherous bard, and one voracious Goblin. But there’s more to Gorm’s new job than an insane prophecy; powerful corporations and governments, usually indifferent to the affairs of the derelict Al’Matran temple, have shown an unusual interest in the quest. If his party of eccentric misfits can stop fighting each other long enough to recover the Elven Marbles, Gorm might be able to turn a bad deal into a golden opportunity and win back the fame and fortune he lost so long ago. Promising fun, fantasy, and financial calamity, Orconomics: A Satire is the first book in The Dark Profit Saga, an economically epic trilogy.

Finding her fur-ever family, after years lost in the foster care system, brought more drama than little werewolf Giselle had bargained for, especially when it’s discovered she’s the long lost daughter of the former Regional Alpha, Orion Silverman.After the current Alpha’s death, Giselle is suddenly thrust into the brutal arena to prove herself. Her veins might run with the blood of Alphas, but all her enemies can see is a legacy of human weakness, and they’ll do anything to prevent this feral pup from taking leadership.In the game of Alphas, claiming the title is the greatest prize, one which most would kill to achieve. But for Giselle to win, she’ll have to risk her pack, her family… and her life.