Shaman, p.64
Shaman, page 64
The meeting of Andrew Jackson and Black Hawk in the President's House—as the White House was known in 1832—is also an actual historical incident. When Sharp Knife sent the Sauk leaders on a tour of major Eastern cities, including Baltimore, Philadelphia and New York, the crowds that came to see Black Hawk greeted him as if he was a conquering hero, somewhat to Jackson's chagrin. But "King Andrew," as his political opponents called him, handily won the election of 1832. During the second four years of his reign Congress enacted into law his policy of forcing all Native American tribes in the U.S. to move west of the Mississippi. Even though the Winnebago and the Potawatomi remained neutral or actively helped the Americans, they also had to give up their land in Illinois and Wisconsin and move westward.
Abraham Lincoln, aged twenty-three, joined the Illinois militia in April 1832, and was promptly elected captain of the Sangamon County company of volunteers. In May, Lincoln was one of those who helped bury the slain militiamen at Old Man's Creek. When his company was disbanded, the men having served their four weeks' enlistment, Lincoln signed up for two more short hitches. He served them as a private, and was finally mustered out in July. His horse was stolen, and he and a friend walked and canoed 250 miles southward to their home, in New Salem, Illinois. Though Black Hawk War veterans tended to make much of their exploits, Lincoln was content to say afterward that the only combat he saw was against flies and mosquitoes. Thomas Ford, Auguste's attorney, served as governor of Illinois from 1842 to 1846. His History of Illinois, written in 1847, is one of the sources for this novel.
Other than Black Hawk himself, the most historically prominent Sauk in these pages is He Who Moves Alertly. For the sake of consistency I've translated all the Native American names in the novel into English. Otherwise you'd have met He Who Moves Alertly under the name he's better known by—Keokuk. And I would have referred to Shooting Star, the Shawnee war chief mentioned in Chapters Five and Sixteen, as Tecumseh. But then I'd have had to call Black Hawk by his Sauk name, Makataimeshekiakiak. No wonder Emerson called consistency a hobgoblin.
Also an unfamiliar name today is Michigan Territory as a term for the land north of Illinois through which Black Hawk and his people made their final trek from the Trembling Lands to the mouth of the Bad Axe. That land would soon become the state of Wisconsin. After achieving statehood in 1848, Wisconsin promptly laid claim to the prosperous northern portion of Illinois, including Chicago; but Illinois politicians knew all about clout even then, and beat the Badgers back.
Large parts of Illinois and Wisconsin were lands previously occupied by the Sauk and Fox. In the seventeenth century the Sauk migrated from Canada, driven by wars with the Iroquois, down into what is today eastern Wisconsin. During the eighteenth century they formed a confederacy with the Fox and moved into the southwestern part of Wisconsin and northern Illinois. In Black Hawk's time there were about four thousand Sauk and sixteen hundred Fox, living in villages along the Wisconsin (earlier spelled Ouisconsin) and Mississippi rivers and at the mouth of the Rock River.
With the Louisiana Purchase of 1803, the U.S. took charge of the Sauk and Fox homeland. In 1804 white settlers attacked a party of Sauk men, women and children, and three whites were killed. As territorial Governor William Henry Harrison demanded, a delegation of five Sauk and Fox chiefs brought one of the accused killers to St. Louis. Harrison used the occasion to negotiate a treaty in which the Sauk and Fox ceded to the U.S. all their land east of the Mississippi, including what is today northwestern Illinois and southwestern Wisconsin, as well as a portion of Missouri. All together the Sauk gave up 51 million acres. For this they got $2234.50 and an annual payment of $1000 worth of goods. Later one of the chiefs who had signed the treaty said that the delegation had been drunk most of the time they were in St. Louis. The prisoner the chiefs had delivered to Harrison was "killed while trying to escape."
Black Hawk never recognized this treaty or later confirmations of it. In defiance, he led his people back to Saukenuk every spring.
There is a gaudy rural playground area in south-central Wisconsin known as the Wisconsin Dells, where local folks will show tourists a cave in which, they swear, Black Hawk was hiding when captured by two Winnebago warriors named Chaetar and One Eye Decorah. But Dr. Nancy O. Lurie of the Milwaukee Public Museum has unearthed a different account of Black Hawk's surrender, written by John Blackhawk, grandson of a Winnebago chief and no relation to the Sauk leader. I find the John Blackhawk version much more probable than the Wisconsin Dells story, and it's the one I've followed, adding, inevitably, my own fictional elaborations. Be it noted that the incident of the small boy who commits Black Hawk's party to surrendering by smoking Wave's peace pipe is not my invention, but is reported in the John Blackhawk manuscript. Tobacco was that sacred to the Native Americans of those times.
Another matter on which historians disagree is the origin of the expression "O.K.," which made its appearance in the American language in the 1830s. Here I propose an explanation (see page 239) that I haven't seen anywhere else, but that, like John Blackhawk's story, makes sense to me. People at that time attached the adjective "old" to anyone or anything they felt affectionate about—Old Glory, Old Ironsides, Old Hickory. By the time he got around to running for President, Zachary Taylor was "Old Rough and Ready." The most popular alcoholic beverage in early nineteenth-century America was whiskey, and the best whiskey was distilled in Kentucky and widely known as Old Kaintuck. It was a jug of Old Kaintuck that Raoul grudgingly shared with Abe Lincoln. It seems likely enough that the nickname Old Kaintuck would in time be shortened to "O.K."—easier to say after you've had a few—and come to mean the good stuff in any area of life.
* * *
About the Author
Robert Shea is the co-author of the epic fantasy The Illuminatus! Trilogy and author of the two-volume Shike, among other novels. For many years he worked for magazines, and he has been writing novels full-time since 1977. He lives in Glencoe, Illinois.
* * *
SHAMAN
A man of potent magic and mystical vision
SHAMAN
Healer, future-teller, initiate into the mysteries of the spirit world
SHAMAN
A story of sacred Indian rites and the land-greed of an expanding new nation
It was a time of bloody confrontation between the white man and the red man, a time when the pioneers of a new nation were pushing out across the Great Plains and yet the powerful spirits of an ancient mystical religion still held sway over the Indians. In this troubled, dangerous time, there is a man who has the privilege—and the curse—of belonging to both worlds. He is Gray Cloud, a disciple of the aging shaman Owl Carver. A handsome young half-breed, he is chosen by the Great Turtle to become the mystical leader of the Sauk people ... and summoned by his French-born aristocratic father to inherit the vast estate of Victoire.
Here is the riveting drama of Gray Cloud's transformation into the powerful shaman White Bear, and his desperate struggle to reconcile the opposing forces of his white and Indian heritage. It is a sweeping epic of mysticism and history, of bitter love and brutal warfare, and of the tragic fate of an ancient people.
End of the Project Gutenberg EBook of Shaman, by Robert Shea
*** END OF THIS PROJECT GUTENBERG EBOOK SHAMAN ***
***** This file should be named 28976-h.htm or 28976-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/8/9/7/28976/
Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions will be
renamed.
Creating the works from public domain print editions means that no one
owns a United States copyright in these works, so the Foundation (and
you!) can copy and distribute it in the United States without permission
and without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg-tm electronic works to protect the
PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for the eBooks,
unless you receive specific permission. If you do not charge anything
for copies of this eBook, complying with the rules is very easy. You may
use this eBook for nearly any purpose such as creation of derivative
works, reports, performances and research. They may be modified and
printed and given away--you may do practically ANYTHING with public
domain eBooks. Redistribution is subject to the trademark license,
especially commercial redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
This particular work is one of the few copyrighted individual works
included with the permission of the copyright holder. Information on
the copyright owner for this particular work and the terms of use
imposed by the copyright holder on this work are set forth at the
beginning of this work.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments





